released June 6, 2019

Ray Fuse - vocals
Michael Blanchard - bass
Manny Allbeury - saxophone
Eli Wallis - bass clarinetist
Mori Agha - Iranian Tumbak drum
Rusty Beats/ Brent Loewen - percussions
Mike Paciorek - guitars
Azul Salvaje - electric violin

Band members and guest artists are composers of their instruments music equally but in total harmony with each other.

Ray Fuse interdisciplinary artist ( director, singer, dancer ) combines dynamic vocal arrangements with multiple media.

Michael Blanchard- bass, string bass. (aka Foster Grant) HiFi eclectic bass, string bass, proficient plucker and tinkerer.
A stalwart of the 1980's Montreal music scene in bands such as Terminal Sunglasses, Bubblegum Army and Megalo,
Michael moved to Vancouver in 1996 to cause havoc in the local music scene.

Manny Allbeury is a dynamic, soulful saxophone player.
He studied under the renowned English tenor Don Rendell and continued his studies at the Barry School of Music in Wales.
He initially started playing in jazz groups then went on to Rock/Soul bands touring England, Europe, and Canada.
His inspiration comes from the extremes of Coltrane to Bobby Keys.

Eli Wallis is a poet and post-bop bass clarinetist.
You can hear his work on ardentepatience.bandcamp.com

Mori Agha has been playing drums and a few other melodic instruments for more than 40 years.
He plays Iranian Tumbak as his main instrument and has his own style that is based on following rhythm and melody.
Having a sense of harmony and accompaniment helps him to create unique creative rhythms.
He plays with all sort of music including Classic, Jazz, Blues, Pop, Folklore, etc.

Azul Salvaje electric violin has a unique folk and Jazz Fusion style.
A global fusion fiddle treasure chest unlock riches and glories that send your soul soaring on sonic wings.

Mike Paciorek plays guitars with creative original melodies.

Rusty Beats was forced into classical music at age 5.
He escaped only to find himself in the North Vancouver Youth Band for his formative pre-teen and mid-teens on the Euphonium.
Fortunately, he discovered punk rock in college. After being a fan for years,
he finally played in a number if bands of which Facepuller was the most successful from 1990-2009 with the same 3 members.
Since then, he has dabbled in many projects while picking up percussion and Ukulele habits.
In Fuse is another stop along the twisted, winding conundrum of expression.